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O Mighty Flist (and beyond), I seek your assistance!
As you may or may not know, I’m currently working on my MA in Critical Media and Cultural Studies at University of London, SOAS (School of Oriental and African Studies). For my thesis, I’m delving into the question of how culture, one’s own, as well as that of the source material one is fanning on, affects how fans identify and interact with said media and the fandoms surrounding them.
I am very aware that academic scrutiny of fandom has at times been…less than pleasant, shall we say. With that in mind, I’d like to make clear that it is not my intent to place fen or fandom under the microscope, but rather to use them as one concrete example in the broader investigation of culture’s impact on the field of media studies.
The following questions I’ve split into two sections, one focused on the media itself, the other on fandom as a whole. These are just a jumping-off point; feel free to answer as many/as few of the questions as you’d like, in as much/little detail as you feel comfortable. If you’d prefer to comment anonymously or email me directly at gnine AT livejournal DOT com, that’s fine, too.
Media Questions:
How much of what you fan on is produced by your own culture/country?
How much of what you fan on is originally produced in your native language(s)?
Have either of the above changed over the course of your time in fandom?
If/When consuming material not originally produced in a language you are fluent in, how do you access it? (e.g., dubs, scanlations, muddle through the raws and just enjoy the pretty people/art/voices, etc.)
Are there any culture’s materials you particularly avoid or seek out? (e.g. you avoid anything Japanese, be it anime, manga, video games, etc.; you love anything British, TV, books, etc.)If so, why?
The first time you watched/read/listened to something produced by a culture whose material you had not previously fanned on, were there details you had to adjust to (e.g. narrative styles, character depictions, pacing, cultural references, etc.) ?
Are there any particular tropes/stereotypes/character traits/plot devices you particularly associate with a certain culture’s material?
Fandom Questions:
At a guess, are the majority of the people you regularly fan with your nationality?
Do you think this changes depending on what fandom you’re in?
If you go to live fan events/conventions/meet-ups, have you attended different fan events for media of different cultures? (E.g. have you gone to both conventions for an English-language series (such as Supernatural) and anime conventions?)If so, have you noticed any differences between such conventions?
Have you ever attended fan events/conventions/meet-ups in more than one country? If so, did you notice any differences?
Has fanning with people from various countries ever caused surprise/confusion/misunderstandings?
Do your expectations for the fandom and its fanwork change depending on the source culture?
Additionally, there are a few details that’d be helpful for everyone to include, if they could:
Nationality:
Native language(s):
Language(s) you most often fan in (e.g. write/read/discuss in):
Gender (that you're most comfortable identify yourself as):
Is it all right for me to reference you directly in the final paper:
If yes, how would you prefer to be called (e.g. LJ handle/name/nickname/anonymously, etc):
If needed, would it be alright for me to contact you for more questions/details via email/skype, etc.?
Beyond that, if there are any other details, personal experiences, general trends you’ve observed, feel free to expound. Further discussion/questions in the comments is also very welcome.
If anyone's willing to link this in their journals, I’d be grateful, as the more responses the more expansive the research.
Thanks for your help!
I am very aware that academic scrutiny of fandom has at times been…less than pleasant, shall we say. With that in mind, I’d like to make clear that it is not my intent to place fen or fandom under the microscope, but rather to use them as one concrete example in the broader investigation of culture’s impact on the field of media studies.
The following questions I’ve split into two sections, one focused on the media itself, the other on fandom as a whole. These are just a jumping-off point; feel free to answer as many/as few of the questions as you’d like, in as much/little detail as you feel comfortable. If you’d prefer to comment anonymously or email me directly at gnine AT livejournal DOT com, that’s fine, too.
Media Questions:
How much of what you fan on is produced by your own culture/country?
How much of what you fan on is originally produced in your native language(s)?
Have either of the above changed over the course of your time in fandom?
If/When consuming material not originally produced in a language you are fluent in, how do you access it? (e.g., dubs, scanlations, muddle through the raws and just enjoy the pretty people/art/voices, etc.)
Are there any culture’s materials you particularly avoid or seek out? (e.g. you avoid anything Japanese, be it anime, manga, video games, etc.; you love anything British, TV, books, etc.)If so, why?
The first time you watched/read/listened to something produced by a culture whose material you had not previously fanned on, were there details you had to adjust to (e.g. narrative styles, character depictions, pacing, cultural references, etc.) ?
Are there any particular tropes/stereotypes/character traits/plot devices you particularly associate with a certain culture’s material?
Fandom Questions:
At a guess, are the majority of the people you regularly fan with your nationality?
Do you think this changes depending on what fandom you’re in?
If you go to live fan events/conventions/meet-ups, have you attended different fan events for media of different cultures? (E.g. have you gone to both conventions for an English-language series (such as Supernatural) and anime conventions?)If so, have you noticed any differences between such conventions?
Have you ever attended fan events/conventions/meet-ups in more than one country? If so, did you notice any differences?
Has fanning with people from various countries ever caused surprise/confusion/misunderstandings?
Do your expectations for the fandom and its fanwork change depending on the source culture?
Additionally, there are a few details that’d be helpful for everyone to include, if they could:
Nationality:
Native language(s):
Language(s) you most often fan in (e.g. write/read/discuss in):
Gender (that you're most comfortable identify yourself as):
Is it all right for me to reference you directly in the final paper:
If yes, how would you prefer to be called (e.g. LJ handle/name/nickname/anonymously, etc):
If needed, would it be alright for me to contact you for more questions/details via email/skype, etc.?
Beyond that, if there are any other details, personal experiences, general trends you’ve observed, feel free to expound. Further discussion/questions in the comments is also very welcome.
If anyone's willing to link this in their journals, I’d be grateful, as the more responses the more expansive the research.
Thanks for your help!
Part 4 - DONE! :D
Because Japan and the West are so far apart both in distance and history, there are tropes and archetypes that are just different. It can range from Japanese character traits like humorous gluttony (which is a staple in shounen, and possibly in shoujo too, though I don't read enough of it to know) and characters with no sense of direction to the differences in Japanese and Western redemption arcs.
"Redemption" in a lot of Western stuff means that you have to die for the bad things you've done. Sorry, if you tried to kill the heroes, it means that even if you have a change of mind the most you can hope for is to be allowed to give your life for theirs.
Conversely, in Japanese shounen, former enemies turning into allies is a staple.
If I keep looking at the sort of texts that I'm a huge fan of in Japan, and compare them to things for the same age group in the West, Japan also does a lot more with death and danger. Even in kids' shows, people kill and are killed. There is a lot more implied or even explicit abuse in peoples' pasts and such.
Oh, and because of the arc vs episode nature of Japanese and Western texts mentioned above, things in Japanese texts strike me as having far more consequences than in a lot of Western texts. (Again, this is probably due to the one-creator vs team-creator thing that happens when you compare anime and US TV). For example, the most realistic and heartbreaking character death (and the effects of said character's death the survivors) was in One Piece, and it just crushes any character deaths I can think of in my western fandom. (Let's not even go into how Stargate: Atlantis killed a main character, and in the next episode it was like he'd never even existed, much less like anyone was still mourning him...)
(And because I'm a spoilerphobe myself I'm not posting anything too spoilery here, but I know you'll know exactly what I'm talking about,
Annnnnnnnnnd this is getting really, really, REALLY long so... let me know if there's anything else you'd be interesting in discussing, and I'll try and get back to you quicker than I did this time!