Best thing about this picture is Clark's face. You got the emotion etched perfectly there. I also think it's the place you have the best technique. Other things I love: Lex's shoes and the cars on the street. The whole picture is all about movement: the cars streaking by, the wind blowing open lex's coat, clark rushing up to meet him, and yet it has a sense of stillness to it: that time has slowed down to this one moment. This picture would be that big dramatic moment of a movie where emotions are running high and at the apex the film slows down and you see everything in detail in the stillness.
Things I do not like so much about this: let's face and head just seem off to me. It might just be the baldness throwing me though. Also, you did a great job with the perspective of hte buildings, but you left them rather flat looking. Some of the window reflections are spot on, and some look like you rushed them.
You and your smallville fandom. YOU WILL NOT SUCK ME INTO YOUR SMALLVILLE VORTEX! never!
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Date: 2007-02-23 09:44 pm (UTC)Best thing about this picture is Clark's face. You got the emotion etched perfectly there. I also think it's the place you have the best technique. Other things I love: Lex's shoes and the cars on the street. The whole picture is all about movement: the cars streaking by, the wind blowing open lex's coat, clark rushing up to meet him, and yet it has a sense of stillness to it: that time has slowed down to this one moment. This picture would be that big dramatic moment of a movie where emotions are running high and at the apex the film slows down and you see everything in detail in the stillness.
Things I do not like so much about this: let's face and head just seem off to me. It might just be the baldness throwing me though. Also, you did a great job with the perspective of hte buildings, but you left them rather flat looking. Some of the window reflections are spot on, and some look like you rushed them.
You and your smallville fandom. YOU WILL NOT SUCK ME INTO YOUR SMALLVILLE VORTEX! never!